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The Turkish artist Bedri Baykam exhibits at the Schwab gallery, in Paris, a work considered as neo-expressionist, which can confuse as it seems kitsch. At 68, he dares almost everything, up to work that uses lenticular leaves as support, which cause a 3D and kinetic effect of the most bizarre.

It is like man, who had several lives: WONDER BOY Multifacette, he said he had made his first exhibitions at the age of 6, participated, in the 1970s, in the Turkish Tennis championship, published, excluding exhibition catalogs, 32 pounds, half of which concerns Turkey policy in the XXe century, but also Monkeys' Right to Paintin 1994 (Literatür, in English, not translated), which is a plea for a look at non -Europeanocentric art.

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Source: Lemonde

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